根据图1角色绘制该角色恶堕后的插图，左侧显示原角色的半身，右侧展示恶堕后的形象的半身。 构图采用轴对称分裂构图，将同一个角色沿画面正中央垂直分割，一分为二。虽然…

根据图1角色绘制该角色恶堕后的插图，左侧显示原角色的半身，右侧展示恶堕后的形象的半身。

构图采用轴对称分裂构图，将同一个角色沿画面正中央垂直分割，一分为二。虽然左右两边的服装和细节截然不同，但人物的基本身体姿态保持了高度的一致性。人物全身线条在左右两边是连续的，没有间隙。形态上的统一与风格上的分裂形成了核心的视觉张力，暗示这两人是同一存在的不同面相。

首先根据图1总结人物设计关键词，然后参考图2氛围提取关键词，进行恶堕主题设计。恶堕后的服装需保留图1原设计印象，同时根据人物主题调整设计。恶堕后的人物生理特征（发型、发色、瞳色等）应保持不变。构图、画风、姿势尽量维持图1样式。

Draw an illustration of the character from Figure 1 after corruption, showing the original character's half-body on the left and the corrupted image's half-body on the right. The composition uses an axisymmetric split composition, dividing the same character vertically in the center of the picture, splitting it in two. Although the clothing and details on the left and right sides are completely different, the basic body posture of the character maintains high consistency. The character's body lines are continuous on both sides, without gaps. The unity of form and the division of style form the core visual tension, suggesting that these two are different aspects of the same existence. First, summarize the character design keywords based on Figure 1, then extract keywords from the atmosphere of Figure 2, and design a corruption theme. The corrupted clothing needs to retain the impression of the original design in Figure 1, while adjusting the design according to the character's theme. The corrupted character's physiological features (hairstyle, hair color, pupil color, etc.) should remain unchanged. Composition, art style, and posture should try to maintain the style of Figure 1.