[UPLOAD YOUR IMAGE] 20 seconds, nine shots joined by hard...

[UPLOAD YOUR IMAGE] 20 seconds, nine shots joined by hard cuts. The whole video looks like cheap, real, found footage compiled from the internet: , soft and grainy, heavy compression blocks on motion and in shadows, smeared fine detail, harsh phone exposure blowing out bright skies, white balance shifting, rolling-shutter wobble on fast movement. A mix of a dashcam, shaky phones, and a security camera, all in daytime. Nothing is cinematic, nothing is staged, no colour grade, no smooth camera moves, no crisp HD. NORMAL LENSES ONLY: every shot uses a normal straight lens and fills the whole 16:9 frame edge to edge, the picture reaching all four corners. No black borders, no black corners, no vignette, no fisheye, no rounded or bubble-shaped image, no letterbox. This includes the dashcam and the security camera. BLUR ZOOM (ONLY on the FIRST shot and the LAST shot): the shot opens with the camera zooming in fast while the image is completely out of focus and smeared, then the focus snaps sharp and clear on the subject. No blur zoom in any other shot. OTHER PHONE SHOTS: handheld and shaky, with small jerky pinch-zooms in on the key moment, but no blur effect. ACTIVE REFERENCES (each image has ONE job only) . Take only her face, hair, and outfit exactly: long wavy brown-to-blonde hair, red-and-white gingham top with thin straps tied with dark red ribbon bows, a dark red ruffled hem, light-wash flared jeans. Take nothing else. [image1] = THE CAR. Take only the car exactly: low faceted wedge hypercar, satin pearl silver-white body, black lower sills, thin white front light bar, dark tinted glass canopy, large rear wing, full-width red rear light bar, four round nozzles in the rear diffuser, black six-spoke aero wheels. Take nothing else. [image2] = THE THRUST. Take only how the car flies: four thick bright-white vapour jets blasting straight down from under the car near each wheel, billowing into white clouds where they hit the ground. Take nothing else. The woman of drives the car in every shot. The car always lifts and flies on the four white jets of [image1] is stuck behind a city bus, with cars packed on both sides, brake lights on, horns blaring. 0.0–0.8 BLUR ZOOM: the image zooms in fast, completely blurred, then the focus snaps sharp on the white car stuck in traffic. 0.8–1.4 Nothing moves. Horns. 1.4–3.0 The white car's four jets blast on with a roar, white vapour exploding across the road and over the dashcam car's bonnet, and the white car lifts straight up out of the traffic, rising past the back of the bus and out of the top of the frame. The vapour clears to show the empty gap where it was. SHOT 2 (3.0–5.2s) — VILLAIN LAUGH — SAME ROAD — PHONE FROM A FOOTBRIDGE The same gridlocked road, seen from a pedestrian footbridge that crosses over it. CAMERA: a pedestrian on the footbridge filming with a phone, shaky. The white car hovers on its jets right beside the footbridge at the same height, about 3 metres away, its jets blasting white vapour down onto the jammed cars and the bus roof below. Medium close-up through the open driver's window: the woman of @Devil Couture Sheet (1) image1, from the chest up. 3.0–5.2 She throws her head back and laughs loud and wild, like a happy cartoon villain: "Mwahahahaha!" Her eyes are squeezed shut, she slaps the steering wheel with both hands, her hair blows in the jet wind, she is overjoyed. Real face: real skin, a little sweat, real teeth and laugh lines. Honking below. SHOT 3 (5.2–7.4s) — PARKING TICKET — PHONE A sunny shopping street. The white car is parked at a kerb. A traffic warden in a hi-vis vest is tucking a parking ticket under its windscreen wiper. CAMERA: a phone filming from a café table across the street, shaky, a coffee cup at the frame edge. 5.2–6.2 The warden tucks the ticket and starts typing on his handheld device. 6.2–7.4 The jets blast on, the warden stumbles back with his cap blowing off, and the car shoots straight up into the sky. The ticket flutters loose and lands on his head. He stares up, mouth open. SHOT 4 (7.4–9.6s) — RAILROAD CROSSING — PHONE An overcast countryside level crossing: red lights flashing, barrier arms down, a long, rusty freight train thundering past, a line of waiting cars. CAMERA: a phone filming through the windscreen of a waiting car, shaky, the dashboard at the bottom. 7.4–8.1 The freight wagons roar past, bells ringing. The white car is first in line at the barrier. 8.1–9.6 It fires its jets, hops up and OVER the moving train in a high arc with white vapour dragging across the wagons, lands with a heavy bounce on the far side of the tracks, and drives off. The train keeps rolling. SHOT 5 (9.6–11.8s) — GROCERIES FOR GRANDMA — PHONE An old concrete apartment block on a bright overcast day, stacked balconies, laundry lines, plants. CAMERA: a neighbour in the courtyard four floors below, filming UP with a phone, shaky, a tree branch at the edge. 9.6–10.4 The white car hovers on its jets beside a fourth-floor balcony; the jet wind blows the laundry sideways. An elderly grandma in a floral house dress stands at the railing. 10.4–11.8 Small jerky zoom in: the woman of @Devil Couture Sheet (1) image1, sitting in the driver's seat, reaches out of the open car window and hands two full grocery bags over the railing to the grandma. The grandma takes them, peeks inside, and nods, satisfied. SHOT 6 (11.8–14.0s) — PRESIDENTIAL OFFICE — SECURITY CAMERA A grand oval presidential office: striped cream walls, heavy golden drapes on tall windows, flags on poles, framed oil portraits with blurred faces, a large dark wood desk, cream sofas, a big oval carpet, white flowers on the coffee table. Several officials in dark suits stand talking. CAMERA: a ceiling security camera high in a corner, looking down across the room. A NORMAL straight wide lens, NO fisheye, NO black corners, the picture filling the whole frame, slightly desaturated, soft, choppy low frame rate. 11.8–12.4 The officials talk. 12.4–13.0 The ceiling above the carpet bursts in plaster and dust and the white car drops through on its four white jets, landing heavily on the carpet. Papers fly, the flowers blow over, the officials dive behind the sofas. 13.0–14.0 Uniformed guards burst in through the side doors and open fire on the car with rifles: muzzle flashes, sparks and ricochets bouncing harmlessly off the car body, plaster chipping off the walls. SHOT 7 (14.0–15.2s) — HER CLOSE-UP IN THE OFFICE — PHONE CAMERA: an official's phone, held up shakily from behind the sofa, close to the car's open driver's window. 14.0–15.2 Medium close-up: the woman of @image1, ducked low in her seat with gunfire sparks pinging off the car, slowly peeks up over the window edge, looks straight at the phone, and gives a cheeky little grin and a tiny wave. SHOT 8 (15.2–18.6s) — ALIEN CELEBRITY, SAUCER CRUSH — PHONE A narrow, crowded old city street in daylight: small shops with faded awnings, fire escapes, tangled overhead cables. Parked at the curb is a real flying saucer: a classic round silver metal spaceship about 6 metres wide, standing on three short landing legs, its clear glass dome open, small blinking lights around its rim, scuffs and dents on the metal. Standing beside it is a small grey alien, about 1.2 metres tall, with a big smooth head, large black eyes, thin grey arms, and real wrinkled grey skin, the most famous celebrity in the world, posing for selfies with fans, doing a peace sign with his long thin fingers. THE CROWD IS PACKED AND ALIVE: dozens of people pushing and squeezing in, screaming, laughing, jumping to see over heads, holding phones high, flashes going off, a woman pushing her phone into the alien's face for a selfie, people walking in front of the lens, elbows knocking the camera. CAMERA: a fan's phone held up inside the crowd at head height, very shaky, other fans' heads and raised phones filling the frame edges. 15.2–16.2 The crowd screams around the alien, who poses for selfies next to his saucer. 16.2–17.6 A roar from above; the crowd and the alien look up and scream. The white car drops down on its four white jets, the blast pushing the crowd back and blowing hats and paper across the street, and lands with all its weight ON TOP of the flying saucer: the glass dome shatters, the saucer's rim bends and crumples, one landing leg snaps so the saucer tilts into the road, its blinking lights flicker and die, sparks shower out, and a high electronic alarm starts wailing. Dust and white vapour roll over everyone. 17.6–18.6 The alien stumbles back in shock, both thin hands clutching his big head, his huge black eyes fixed on his crushed saucer. The crowd screams, laughs, and points. SHOT 9 (18.6–20.0s) — HER CLOSE-UP, LOOKING AROUND — PHONE — BLUR ZOOM CAMERA: the same fan's phone in the crowd. 18.6–19.2 BLUR ZOOM: the image zooms in fast toward the white car's open driver's window, completely blurred, then the focus snaps sharp on the woman of @image1. 19.2–20.0 Medium close-up: sitting in the car perched on top of the crushed, sparking saucer, she calmly looks around to the left, then to the right, at the screaming crowd and the shocked alien, with an innocent, totally unbothered face, as if nothing happened. REALISM Real people with real skin, pores, sweat, and messy hair, natural spontaneous reactions, real clothing. The alien looks like a real living creature filmed on a phone, not a costume or CGI: real wrinkled grey skin, wet-looking eyes, natural body movement. The car is heavy and full-size: it bounces and sinks on landing, crushes what it lands on, casts a real shadow, reflects its surroundings, and its jets blast real dust, vapour, paper, hats, and laundry. Correct scale between people, the alien, the saucer, the car, the train, and the buildings. Natural daylight that matches each place. Nothing looks clean, posed, or computer-made. AUDIO Native sound only, recorded through cheap phone and camera microphones, distorted when loud, wind noise. Shot 1: honking traffic, idling engines, the jet roar. Shot 2: jet roar, honking below, her loud wild laugh "Mwahahahaha!" and her hands slapping the wheel. Shot 3: street chatter, jet roar, the warden's shout. Shot 4: train bells, freight-train thunder, jet roar, a heavy landing thud. Shot 5: birds, flapping laundry, jet roar. Shot 6: muffled office talk, a ceiling crash, jet roar, rifle fire and pinging ricochets through a tinny security-camera microphone. Shot 7: gunfire pings close by, the phone holder's panicked breathing. Shot 8: crowd screaming, camera shutters, the saucer's soft hum, jet roar, a huge metal crunch, glass shattering, electric sparks crackling, a high electronic alarm wailing, laughter. Shot 9: the saucer alarm and crowd noise continuing. BANS No night scenes. No black borders, no black corners, no vignette, no fisheye, no rounded image, no letterbox in any shot. No blur zoom except in shot 1 and shot 9. No alien or spaceship design from any existing film or game. No likeness of any real person. No real president. Nobody is hurt, including the alien. No on-screen text, plates, timestamps, captions, logos, or watermarks. No cinematic grade, no slow motion, no smooth gimbal or drone moves, no crisp high-definition look. The car never floats without the four white jets. No morphing of the woman, her outfit, the car, or the alien between shots. No frozen, statue-like crowds. No cartoon, CGI, costume, or plastic look.:919:[["$","script",null,{"type":"application/ld+json","dangerouslySetInnerHTML":{"__html":"$21"}}],["$","$1b",null,{"fallback":null,"children":["$","$L22",null,{"image":{"id":"community_41ca3f37-2973-4319-a3ec-4d970395cd8d","image":"https://images.meigen.ai/cdn-cgi/media/mode=frame,time=1s,format=jpg,width=1280/generations/2026-10/community_41ca3f37-2973-4319-a3ec-4d970395cd8d.mp4","mediaType":"video","videoUrl":"https://images.meigen.ai/generations/2026-10/community_41ca3f37-2973-4319-a3ec-4d970395cd8d.mp4","title":"[UPLOAD YOUR IMAGE] 20 seconds, nine shots joined by hard...","prompt":"$23","promptSegments":"$undefined","author":{"name":"MeiGen Community","username":"user_e7c6297c","avatar":"https://images.meigen.ai/uploads/be4ab390-b4f4-4177-bd04-f0062a583a12.png","verified":false,"isPaid":true,"profileUrl":"$undefined","socialUrl":"https://x.com/meigen_ai"},"stats":{"likes":0,"views":0,"retweets":0},"model":"Seedance","aspectRatio":"adaptive","imageWidth":1024,"imageHeight":1024,"promptReady":true,"source":"community","referenceImages":["https://images.meigen.ai/generations/2026-10/community_41ca3f37-2973-4319-a3ec-4d970395cd8d_ref.webp","https://images.meigen.ai/generations/2026-10/community_41ca3f37-2973-4319-a3ec-4d970395cd8d_ref-2.webp"],"referenceType":"$undefined","referenceInputContract":"structured","frameReferenceImages":"$undefined","contentReferenceImages":["https://images.meigen.ai/generations/2026-10/community_41ca3f37-2973-4319-a3ec-4d970395cd8d_ref.webp","https://images.meigen.ai/generations/2026-10/community_41ca3f37-2973-4319-a3ec-4d970395cd8d_ref-2.webp"],"contentType":"gallery_video","favoritesCount":5}}]}]]
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